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National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
The Mirror of Russia in Works of Czech Writers (From K. Havlíček to J. Hašek)
 Klimeš, Lukáš ; Vaněk, Václav (advisor) ; Heczková, Libuše (referee)
This thesis has an analytical-interpretative character and is divided into two sections. The subject of its research is the mirror of Russia in Czech travelogues of the 19th century. On the background of evolution of the idea of Pan-Slavism and formation of Czech society, the first part of this work tries to establish factual overview of expeditions to Russia in the second half of the 19th century. The second part has purely interpretative character and places emphasis on comparison of reflections from the stay in the Caucasus. Both sections are focus on methods of depicting Russian reality and selection of individual motives for realization of the trips.
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The Character of Water Sprite in Czech Literature of the 19th Century
 Fričová, Lenka ; Vaněk, Václav (advisor) ; Heczková, Libuše (referee)
This work has an analytical-interpretative character. The analytical part contains an analysis of individual pieces of czech literature of the 19th century and folk stories which contain the water-spirit character. There is also a brief introduction of the method. The character and look of a water-spirit is analysed according to the theory of a literary character by Daniela Hodrová or Bohumil Fořt. The interpretative part looks on the problematics of a water-sprite as on a relationship between a male and female characters. The suggested options of an interpretation are merged using a psychoanalytic approach.
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Key thems of Parnasist and Decadent lyric poetry in the Czech Literature
 ROLNÍKOVÁ, Eliška
The subject of this thesis is a characterisation of key motivic units in lyrical works of Jaroslav Vrchlický and Jiří Karásek ze Lvovic, thus it explores Czech parnassian and decadent poetry of the end of 19th century. It observes and traces literal, esthetical and thought shifts of both authors from the aspect of various motives usage. The thesis is divided into five chapters, each of them dealing with one specific motivic unit. The chapters are: 1. Motives of woman, body and sexuality. 2. Motives of dream, imaginary and escape. 3. Motives of dying, disease and decay. 4. Motives of depressiveness, grief, bitterness and vanity. 5. Motives of nature and landscape. Each chapter compares these motives, examines their usage by both authors and looks at how their form and expression undergo a process of certain changes. It also focuses on those motives that appear as completely new elements in their poetry. The conclusion provides with brief summaries of all chapters and a short look through frequency word dictionary of relevant volumes of poems.
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